A provincial hack's commonplace book
The Nation is still publishing long, heated articles about who was a spy, who was a fellow-traveller and who was neither in the 1930s and 40s; these days, though, the online version comes with a Google-served ad for a Russian dating/bridal/I-really-don't-want-to-click-and-find-out agency. Not sure what that symbolises, but it certainly symbolises something.
There is apparently a significant industry - one containing at least several companies - dedicated to the manufacture of "deal toys", given by financial-industry types to mark the signing of large contracts. Its signature material is lucite, a clear plastic heavier and more expensive than glass, into which plaques and objects of symbolic significance can be embedded. Obviously, this industry is in deep trouble.
Also: the FT's Weekend magazine placed its wonderfully dry piece on the subject - my source for everything in the paragraph above - immediately after its serialisation of the Gillian Tett book on how ill-advised financial-indsutry deals blew up the world economy. I sometimes suspect that FT Weekend is trying to incite a revolution, probably aimed at readers of How to Spend It.
One day I'd like to have enough space, or few enough books, to look at a shelf like this and just think "Cool!", rather than imagine myself snapping a curlicue as I try desperately to stuff on another couple of Oxford World's Classics.
This is a badly neglected blog. I now hope to change that - the aim will be to have something, even if just links, up every day. Holding your breath probably remains a bad idea. But...
- If you liked films redesigned as Romek Marber-ish paperbacks, you will probably also like the Blue Note version of the Wu-Tang Clan.
- Mary Beard proposes a do-as-you-would-be-done-by school of reviewing, which seems sensible in the context of reviewing books about classics for the TLS, where the interests of author and reader are relatively close together, but may not apply to the reviewing of general-readership books for a general readership.
Get your stereotypes of Germany direct from Berlin, where J Carter Wood is reading Three Men on a Bummel. Of his quotes, I particularly liked this one:
This is the charm of German law: misdemeanour in Germany has its fixed price. You are not kept awake all night, as in England, wondering whether you will get off with a caution, be fined forty shillings, or, catching the magistrate in an unhappy moment for yourself, get seven days. You know exactly what your fun is going to cost you. You can spread out your money on the table, open your Police Guide, and plan out your holiday to a fifty pfennig piece. For a really cheap evening, I would recommend walking on the wrong side of the pavement after being cautioned not to do so. I calculate that by choosing your district and keeping to the quiet side streets you could walk for a whole evening on the wrong side of the pavement at a cost of little over three marks.
Coming soon-ish here: posts on Leadville, the reprinting of Cooking in a Bedsitter and the decline (long ago) of competition in the British regional press; plus the instalment of the Street View abecedary I promised a month and a day ago...
In our view, the effect of every policy must first be regarded from the standpoint of the workers of the Nation, and of the poorest and most helpless among them. The charwoman who lives in St Giles', the seamstress who is sweated in Whitechapel, the labourer who stands begging for work outside the docckyard gates in St George's-in-the-East ... The policy which annexes even an Empire, wins an immortal battle, raises this man or that to the Premiership, or sweeps the board at a general election, shall appear to us infamous, not glorious - evil, not good - a thing to weep over, not to acclaim, if it does nothing towards making the lives of these people brighter and happier. On the other hand, the policy will appear to us worthy of everlasting thanks, and of ineffaceable glory, that does no more than enable the charwoman to put two pieces of sugar in her cup instead of one, and that adds one farthing a day to the wage of the seamstress or labourer.
That is TP O'Connor, writing in the leader column of the first number of The Star, his popular London evening paper, in 1888. You can find it quoted in Matthew Engel's Tickle the Public, or wherever learned British journalists grow teary about their trade. I came across it again in The Last Chronicle of Bouverie Street, a 1963 book about the death in 1960 of the News Chronicle newspaper, and incidentally of the Star. While I knew some of the details of the Chronicle's demise - others were shocking; I may blog about them later - the Star's story came as more of a surprise.
At the time of its death, when it was rolled into the London Evening News for no more than the cost of its pension obligations and week-a-year redundancy payments to its staff, the Star had a circulation - and remember this was a London-only title - of about 700,000. In other words, it was selling 200,000 more copies daily than The London Paper now manages to give away. But in 1960, that was only enough to make it the second-best-selling evening paper in Britain. And it had been losing money consistently since 1956. The poorest and most helpless, while numerous enough to make for a substantial readership, were not a demographic attractive to advertisers.
The city and the country's biggest evening paper, it should be noted, was not the London Evening Standard, eventual sole survivor of this three-way fight, but the title into which the Star was merged, the Evening News. The Standard won out not because of sales but because it attracted the most affluent, advertising-friendly readers. In the end, raw numbers are not enough. That might be considered a parable for the age of the unique-user count.
The other thought the story brings to mind is prompted by O'Connor's leader - as a good a manifesto for intelligent populist journalism as anyone could hope for. Here's the thing. If the conventional media were swept away tomorrow, expert coverage and scandalmongering-shading-into-muckracking would probably continue without much interruption. There are bloggers and others for all of that. What it might take a while to rebuild is any organisation with a wide enough reportorial reach, and a deep enough attachment to a wide enough public, to keep an eye on that second lump of sugar.
Here is my Guardian blogging debut. The clever site software automatically generates a feed for me; it will go in the sidebar once there's more than one item in it. I haven't forgotten the promise of another letter in the abecedary; but it may be tomorrow before I get around to it.
Strange how, at least if you're as word-obsessed as me, a view can rearrange itself around a piece of lettering. This stretch of Stockwell Road is in many respects rather generically contemporary, for a long-timescale, fairly cynical value of contemporary: some boxy 60s or 70s flats, a boarded-up shop and a fried-chicken francise - which might be very good, for all I know; there's a branch of the same microchain in Sydenham, but I haven't tried it. And then there are the fading painted advertisements on the gable end, which suddenly anchor the picture in the 40s or 50s:
And in Googlecontext:
The first product advertised is easy to identify: everyone knows Picture Post. Its photography was famous, and its publication dates place these advertisements somewhere between 1938 and 1957. The second, broken panel is trickier. John who? If it's another magazine, then the obvious answer is John Bull, a popular weekly that seems to have been known at different times for rabble-rousing patriotism and nice illustrations. (The two aren't mutually exclusive, of course.)
Wikipedia is entertainingly vague about John Bull, noting a scatter of dates when it definitely existed and concluding that it "may have closed in 1962". You can do much better with the British Library newspaper catalogue, which traces the main 20th-century carrier of the name - the magazine that was famously edited by Horatio Bottomley - from 1906 to 1958, then through a flurry of minor rebranding as it swallows a couple of other magazines, and then to a relaunch in February 1960 as something called Today, which itself comes to an end without any word of continuation in 1964. John Bull clocks up the best part of 2,800 issues in 54 years, which suggests more or less continuous weekly publication over that span. It's easy to imagine it being advertised alongside Picture Post.
That would have been a nice neat story, and I wish I could fully believe it. I had thought the two magazines shared an ownership, but it looks like that's wrong - Wiki does have Hulton, which owned Picture Post, selling out to Odhams, which owned John Bull, but only after Picture Post had closed. Another piece of evidence is a selection of John Bull covers on sale at the Advertising Archive. These have good, consistent branding, in a series of different serif styles that have little in common with the punchy, jauntily arranged sans on this wall. I suppose it could be a John Bull look from before the Advertising Archives' holdings - those seem to start in 1946 - but it could easily be another John altogether.
You'd need street directories and old photographs to get the full story, I suspect - Google, even with Street View, has its limits. This series will continue to explore them on Wednesday, when my alphabetical hopscotch will land on the letter B.
